Tokusatsu, genre hiburan asal Jepang yang mengandalkan efek khusus, telah lama menjadi favorit penggemar budaya pop di seluruh dunia. Dari Kamen Rider, Ultraman, hingga Super Sentai, pengaruh global terlihat jelas. Namun, siapa sangka bahwa budaya Indonesia pun pernah menyelinap masuk ke dalam dunia penuh aksi dan kostum ini? Di balik sorotan robot raksasa dan pahlawan bertopeng, terdapat momen-momen kecil yang membawa semangat Nusantara ke layar kaca Jepang.
1. Batik dan Ornamen Nusantara di Desain Kostum
Beberapa seri Tokusatsu mulai menampilkan desain kostum atau karakter yang secara visual mengadopsi motif etnik. Dalam serial Kamen Rider Gaim (2013), misalnya, meski tema utamanya buah dan samurai, beberapa motif pada kostum memiliki kemiripan dengan pola batik modern. Meskipun belum dikonfirmasi secara resmi sebagai inspirasi langsung dari Indonesia, pola geometris dan warna-warna tanah yang digunakan mengingatkan pada gaya batik kontemporer.
2. Bahasa dan Referensi: Nama Karakter dan Dialog
Meskipun jarang, beberapa karakter di Tokusatsu memiliki nama yang mirip dengan nama-nama dari bahasa Indonesia atau Melayu. Misalnya, dalam Ultraman Tiga, kata “Tiga” sendiri berarti “tiga” dalam bahasa Indonesia dan Malaysia. Nama ini bukan kebetulan, karena saat itu pasar Asia Tenggara mulai menjadi perhatian produsen hiburan Jepang. Nama tersebut digunakan karena mudah diucapkan dan memiliki makna numerik yang kuat dalam cerita.
3. Fanbase Indonesia yang Aktif dan Berpengaruh
Budaya Indonesia juga muncul secara tidak langsung melalui fanbase. Komunitas Tokusatsu Indonesia sering membuat fan art, dubbing bahasa Indonesia, hingga fan-made suit yang terkadang viral hingga Jepang. Ini menjadi bentuk “reverse influence” — ketika budaya konsumsi dari Indonesia memberi pengaruh balik terhadap pembuat kontennya.
4. Potensi Kolaborasi di Masa Depan
Melihat pertumbuhan fanbase Tokusatsu di Indonesia, bukan tidak mungkin ke depan akan ada karakter Tokusatsu yang benar-benar mewakili budaya Indonesia — misalnya, Kamen Rider dengan motif Garuda, atau pahlawan dari Super Sentai yang membawa senjata berbentuk keris. Sudah ada proyek lokal seperti Bima Satria Garuda yang diproduksi bekerja sama dengan Ishimori Productions dari Jepang, menjadi langkah awal kolaborasi nyata dua budaya besar ini.
Serial BIMA Satria Garuda (2013) merupakan hasil kerja sama antara MNC Indonesia dan Ishimori Productions (yang juga memproduksi Kamen Rider). Tokoh utamanya menggunakan simbol Garuda, lambang negara Indonesia. Kostum, alur cerita, dan setting-nya menggabungkan nuansa lokal dengan gaya visual khas Tokusatsu Jepang.
Tokusatsu membuktikan bahwa budaya pop adalah ruang dinamis yang bisa menyerap berbagai elemen dari seluruh dunia. Jejak budaya Indonesia di genre ini menunjukkan bahwa identitas Nusantara mampu hadir bahkan di tengah hiruk-pikuk efek visual dan cerita futuristik. Semakin banyak kolaborasi, semakin terbuka peluang untuk budaya Indonesia bersinar dalam panggung hiburan global.**Gareng.jr
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